Wayfaring Stranger Lyrics – The Main Preferences That Should Be Evaluated Whenever You Are Seeking the Words for Hark the Herald Angels Sing .

Posted by Clay on September 17, 2017

If the African slaves who had been taken to the colonies were first exposed to Christianity and hark the herald angels sing lyrics they brought together their own free spirituality and deep appreciation for life. That enthusiasm bled onto create ebullient and emotional gospel music that brought together the unlikely pairing of European Protestant hymns and the fierce rhythms of Africa. Not content to leave their message from the church, however, many gospel artists took their lyrics and went mainstream. Thus was born gospel jazz.

When jazz sprang up among the African-American community in the early twentieth century it had been a blending of blue notes, improvisation, polyrhythm and syncopation, all traceable to the African roots. Jazz soon became a very popular performance media, garnering a history of expressing personal, emotional and spiritual messages. It had been only a short step from there to blend wayfaring stranger lyrics together with the jazz beat and create a genre of music such as the world had never heard before.

Thomas A. Dorsey, the “Father of Gospel Music” is credited with being the first to combine this and black gospel with jazz. A blues pianist in his youth, he proceeded to open up the 1st black gospel music publishing company and wrote “Take My hand, Precious Lord”. The song has since been done by Elvis Presley, Mahalia Jackson, Aretha Franklin, Clara Ward, Roy Rogers and Tennessee Ernie Ford.

When Dorsey was introducing this to the world he faced an amazing amount of opposition. The mixture of church and secular music, although popular now, was strongly frowned upon then, particularly because jazz was often played in clubs as well as other places of ill repute. You can assume that he was frequently criticized for his choice throughout the length of his career. He persevered, however, and his work would later end up being the standard of traditional gospel.

“The histories of jazz and Gospel are intrinsically linked. They share the roots and ancestry of African slave hollers and field songs,” said artist Kirk Whalum, who released in 1998 an album titled “The Gospel In accordance with Jazz”. The ties involving the two are made more evident within the works of Louis Armstrong, the guy who took over as the symbol of jazz in the usa. His performances of the things have become regarded as “gospel” songs, combining nothing but the blood lyrics using a jazz beat, set the tone in the future of the artists worldwide.